There Is No Time in Eternity: A Conversation with Romy Nassar
A Shot meets the woman strangers keep mistaking for a goddess.
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Jeremy Cox on Backrooms and Why Proximity Creates Fear
Jeremy Cox had an answer for almost everything, but rarely the one I expected. Ask him about horror, and he talks about geometry. Ask him about cameras, and he mentions distance. Ask him about landscapes, and he imagines Icelandic volcanoes and endless seas.
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Megan Lawless Hustled for Her Goals Without a ‘One Wish Willow’: “I Wouldn’t Get Near That Thing”
Inspired by Wicked on Broadway, Megan Lawless has pursued acting since she was 13, supporting herself with jobs at a tennis court, grocery store, restaurants, and as a math tutor before breaking out in the global hit Obsession.
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Maya da Costa Shines (And We Can’t Look Away)
Girls Like Girls is da Costa’s feature debut, the center of Hayley Kiyoko’s most personal story, carried by a 20-year-old still assembling her toolbox in real time. One of the tools she landed on was disarmingly simple.
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The Soul and the Shadows of Joe Bird
Joe Bird on artistic authenticity, finding fear in Leviticus, and building a career on his own terms.
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As Girls Like Girls Enters Its Next Chapter, So Does Myra Molloy
“Not every queer story needs to end in trauma or heartbreak.” Myra Molloy reflects on Girls Like Girls and the importance of expanding queer representation on screen.
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Lindsey Normington on Why Sex Work Is Art — And Hollywood Still Doesn’t Get It
She just finished an acting class, a run, and yoga, all before noon. Next month, she shoots her first self-written, self-directed short film. But that’s not what we’re here to talk about.
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Why Horror Is the Most Interesting Art Form Right Now
For much of its commercial history, horror was treated as the lowest rung of culture: disposable, juvenile, pandering to our worst impulses. Today, that picture has been almost entirely reversed.
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Julia Doyle Embraces Her “Crazy Eyes”
At just 22, the Toronto-born actress has become one of television’s most compelling new villains in FROM. We sat down with Doyle to talk “crazy eyes,” narrow escapes, and the fine art of playing a monster in a church girl outfit.
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