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‘Sound of Falling’ Review – A Ghost Story of Phantom Pains
The corridors of a large European house could feel vast and overwhelming on a young girl walking between its walls and taking…
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BAD IDEA, Learning to Live with the Void: Inside Lana Lubany’s Self-Made Universe
The first time I discovered Palestinian American musician Lana Lubany was just a few months ago. At the time, I was deep…
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‘Frankenstein’ Cinematographer Dan Laustsen on Del Toro, Digital vs. Film, and the Evolution of Cinematography
I had the chance to speak with one of my all-time favorite cinematographers, Danish cinematographer Dan Laustsen. A longtime collaborator of Guillermo…
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Kaouther Ben Hania on making ‘The Voice of Hind Rajab’: “I was scared to death”
The year 2025 has brought forth many profoundly moving films, yet few have matched the raw emotional power and urgent relevance of…
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Amr Salama Talks Dream Projects, His Paused Amazon Series, Paranormal 2 and More (EXCLUSIVE)
If there’s one Arab director who truly shaped me, aside from Daoud Abdel Sayed, it’s Amr Salama. Not only because of his…
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‘Yunan’ Review: Malick and Tarr Would Kill for a Main Actor like Georges Khabbaz
In a jaw dropping Canvas, Munir Noureddine stands alone in a yellow field, the golden sunbathes him and a flock of sheep….
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Die My Love Cinematographer Seamus McGarvey on Day-for-Night, Ektachrome, and Creating a Fever-Dream World
Seamus McGarvey, the acclaimed cinematographer behind Die My Love, takes us inside the making of the film, sharing insights into his creative…
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BAD IDEA, Learning to Live with the Void: Inside Lana Lubany’s Self-Made Universe
The first time I discovered Palestinian American musician Lana Lubany was just a few months ago. At the time, I was deep…
