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Mikaela Hoover’s Endless Summer
Eighteen years after James Gunn first put her on camera, Mikaela Hoover is having the year her intuition always promised her, trading scenes with Carey Mulligan in BEEF, giving a talking reindeer a soul in One Piece, and stealing pages of the Daily Planet as Cat Grant. She talks to A Shot about sixth senses, working with OCD, and why she’d give anything for a great horror script.
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Juliette Gariépy Doesn’t Flinch
The star of Red Rooms on silence, screens, the horror of the feed, and the strange business of being watched back.
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Luciane Buchanan Lets Loose in Evil Dead Burn
On Evil Dead Rise, Luciane Buchanan’s job was to keep a child safe on set. On Evil Dead Burn, her job is to tear a family apart. From chaperone to deadite, we spoke to Buchanan about lioness research, sixteen takes of a headrest stunt, and finally getting to let loose.
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The Odyssey Review: Christopher Nolan reminds us who we are, and where we’re going
This is an adaptation of Homer’s epic that is somehow monumental in scale yet intimate in its execution, culminating in what is an undeniable and absolute cinematic achievement.
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There Is No Time in Eternity: A Conversation with Romy Nassar
A Shot meets the woman strangers keep mistaking for a goddess.
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Jeremy Cox on Backrooms and Why Proximity Creates Fear
Jeremy Cox had an answer for almost everything, but rarely the one I expected. Ask him about horror, and he talks about geometry. Ask him about cameras, and he mentions distance. Ask him about landscapes, and he imagines Icelandic volcanoes and endless seas.
