Lizzy Greene’s Winning Streak
Lizzy Greene talks football dreams, filming through injury, and taking ownership of the women she plays, from Ransom Canyon’s Lauren Brigman to US soccer icon Kristine Lilly.
Features
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Nicolas Winding Refn Thinks We are Living in Comfortable Pain
Nicolas Winding Refn Talks Hell, Building an Opera and Being Hideo Kojima’s Eye Candy.
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Mikaela Hoover’s Endless Summer
Eighteen years after James Gunn first put her on camera, Mikaela Hoover is having the year her intuition always promised her, trading scenes with Carey Mulligan in BEEF, giving a talking reindeer a soul in One Piece, and stealing pages of the Daily Planet as Cat Grant. She talks to A Shot about sixth senses, working with OCD, and why she’d give anything for a great horror script.
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Juliette Gariépy Doesn’t Flinch
The star of Red Rooms on silence, screens, the horror of the feed, and the strange business of being watched back.
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Luciane Buchanan Lets Loose in Evil Dead Burn
On Evil Dead Rise, Luciane Buchanan’s job was to keep a child safe on set. On Evil Dead Burn, her job is to tear a family apart. From chaperone to deadite, we spoke to Buchanan about lioness research, sixteen takes of a headrest stunt, and finally getting to let loose.
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Megan Lawless Hustled for Her Goals Without a ‘One Wish Willow’: “I Wouldn’t Get Near That Thing”
Inspired by Wicked on Broadway, Megan Lawless has pursued acting since she was 13, supporting herself with jobs at a tennis court, grocery store, restaurants, and as a math tutor before breaking out in the global hit Obsession.
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Maya da Costa Shines (And We Can’t Look Away)
Girls Like Girls is da Costa’s feature debut, the center of Hayley Kiyoko’s most personal story, carried by a 20-year-old still assembling her toolbox in real time. One of the tools she landed on was disarmingly simple.
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The Soul and the Shadows of Joe Bird
Joe Bird on artistic authenticity, finding fear in Leviticus, and building a career on his own terms.
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As Girls Like Girls Enters Its Next Chapter, So Does Myra Molloy
“Not every queer story needs to end in trauma or heartbreak.” Myra Molloy reflects on Girls Like Girls and the importance of expanding queer representation on screen.
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