Juliette Gariépy Doesn’t Flinch
The star of Red Rooms on silence, screens, the horror of the feed, and the strange business of being watched back.
Features
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Luciane Buchanan Lets Loose in Evil Dead Burn
On Evil Dead Rise, Luciane Buchanan’s job was to keep a child safe on set. On Evil Dead Burn, her job is to tear a family apart. From chaperone to deadite, we spoke to Buchanan about lioness research, sixteen takes of a headrest stunt, and finally getting to let loose.
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Megan Lawless Hustled for Her Goals Without a ‘One Wish Willow’: “I Wouldn’t Get Near That Thing”
Inspired by Wicked on Broadway, Megan Lawless has pursued acting since she was 13, supporting herself with jobs at a tennis court, grocery store, restaurants, and as a math tutor before breaking out in the global hit Obsession.
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Maya da Costa Shines (And We Can’t Look Away)
Girls Like Girls is da Costa’s feature debut, the center of Hayley Kiyoko’s most personal story, carried by a 20-year-old still assembling her toolbox in real time. One of the tools she landed on was disarmingly simple.
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The Soul and the Shadows of Joe Bird
Joe Bird on artistic authenticity, finding fear in Leviticus, and building a career on his own terms.
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As Girls Like Girls Enters Its Next Chapter, So Does Myra Molloy
“Not every queer story needs to end in trauma or heartbreak.” Myra Molloy reflects on Girls Like Girls and the importance of expanding queer representation on screen.
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Lindsey Normington on Why Sex Work Is Art — And Hollywood Still Doesn’t Get It
She just finished an acting class, a run, and yoga, all before noon. Next month, she shoots her first self-written, self-directed short film. But that’s not what we’re here to talk about.
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Julia Doyle Embraces Her “Crazy Eyes”
At just 22, the Toronto-born actress has become one of television’s most compelling new villains in FROM. We sat down with Doyle to talk “crazy eyes,” narrow escapes, and the fine art of playing a monster in a church girl outfit.
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Stephen Dawes Is Creating a Musical Time Capsule
Nineteen, living in Los Angeles, and the messy art of growing up, through the eyes of Stephen Dawes.
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