Maya da Costa Shines (And We Can’t Look Away)
Maya da Costa doesn’t own a laptop. I found this out for the first time at a brief coffee meeting inLos Angeles…
Maya da Costa doesn’t own a laptop. I found this out for the first time at a brief coffee meeting inLos Angeles…
Joe Bird on artistic authenticity, finding fear in Leviticus, and building a career on his own terms.
“Not every queer story needs to end in trauma or heartbreak.” Myra Molloy reflects on Girls Like Girls and the importance of expanding queer representation on screen.
At just 22, the Toronto-born actress has become one of television’s most compelling new villains in FROM. We sat down with Doyle to talk “crazy eyes,” narrow escapes, and the fine art of playing a monster in a church girl outfit.
Inde Navarrette describes her acting as instinctive and emotionally precise. In Obsession, she says she immediately understood Nikki on a deep level, allowing her to move between grounded realism and intense emotional extremes with ease.
Discovered by Euphoria’s casting directors through 800 applicants and five rounds of callbacks, Enza Khoury’s rise might look like an overnight change. But for her, it felt inevitable — a life already in motion, now catching up to itself.
Eric Kripke has never chased shock for shock’s sake. With The Boys, he has built a ruthless reflection of power, celebrity, politics, and human insecurity.
Between borrowed lives and her own voice, actress and singer Ella Hunt is finally speaking in her own voice.
May Calamawy brings real conviction to nuanced Arab representation — from Ramy to Moon Knight, and now The Mummy.
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