Girls Like Girls is da Costa’s feature debut, the center of Hayley Kiyoko’s most personal story, carried by a 20-year-old still assembling her toolbox in real time. One of the tools she landed on was disarmingly simple.
Joe Bird on artistic authenticity, finding fear in Leviticus, and building a career on his own terms.
“Not every queer story needs to end in trauma or heartbreak.” Myra Molloy reflects on Girls Like Girls and the importance of expanding queer representation on screen.
She just finished an acting class, a run, and yoga, all before noon. Next month, she shoots her first self-written, self-directed short film. But that’s not what we’re here to talk about.
For much of its commercial history, horror was treated as the lowest rung of culture: disposable, juvenile, pandering to our worst impulses. Today, that picture has been almost entirely reversed.
At just 22, the Toronto-born actress has become one of television’s most compelling new villains in FROM. We sat down with Doyle to talk “crazy eyes,” narrow escapes, and the fine art of playing a monster in a church girl outfit.
Nineteen, living in Los Angeles, and the messy art of growing up, through the eyes of Stephen Dawes.
Mattea Conforti dives into queer identity and teenage girlhood in The Testaments.
Inde Navarrette describes her acting as instinctive and emotionally precise. In Obsession, she says she immediately understood Nikki on a deep level, allowing her to move between grounded realism and intense emotional extremes with ease.
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