Cherien Dabis Details The Traumatizing Experience That Inspired Palestinian Epic ‘All That’s Left of You’
Among the most powerful and emotionally resonant films of the year is Cherien Dabis’s ‘All That’s Left of You’, a sweeping, heartbreaking…
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Sarah Goher: How Happy Birthday Became a Learning Model for Egypt’s Path to the Oscars
It always feels numb, almost hopeless, to care about which Egyptian film gets submitted for Oscar consideration. It’s the same cycle every…
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Tatiana Maslany Talks ‘Keeper’, ‘The Young People’ and Her Incredible Year of Work: “I can’t wait to lay down”
Renowned for her multiple roles in Orphan Black, Tatiana Maslany continues to work at a remarkable speed and versatility. In the same…
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Plestia Alaqad on her acting debut in ‘The Visitor’: “I had this on my vision board” (EXCLUSIVE)
At just 23, Plestia Alaqad turned her phone into one of the most vital lenses on the Gaza genocide, reaching tens of…
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Die My Love Cinematographer Seamus McGarvey on Day-for-Night, Ektachrome, and Creating a Fever-Dream World
Seamus McGarvey, the acclaimed cinematographer behind Die My Love, takes us inside the making of the film, sharing insights into his creative…
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It Was Just an Accident: Half Absurd Comedy, Half Nightmare
“It was just an Accident” marks Panahi’s first film this 2011 that isn’t “starring” him as himself, his first “Normal” fictional feature…
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Why do Egyptians in Egyptian films feel European?
In Theory, one way that “Art/ Alternative and Festival Films” are different from “Mainstream/ Commercial Cinema”, is: Mainstream Cinema is meant to…
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Annemarie Jacir Finds the Joy amidst the Struggle in Palestine 36
Annemarie Jacir immediately relaxes the moment I break the ice in Arabic. For both of us, this interview comes after a long…
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Between Languages, Between Worlds: Yasmine Hamdan Redefines Arab Music
In an exclusive conversation with Lebanese singer and songwriter Yasmine Hamdan, we kick off our new series exploring the intersection of cinema…
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