She just finished an acting class, a run, and yoga, all before noon. Next month, she shoots her first self-written, self-directed short film. But that’s not what we’re here to talk about.
For much of its commercial history, horror was treated as the lowest rung of culture: disposable, juvenile, pandering to our worst impulses. Today, that picture has been almost entirely reversed.
There’s a quiet precision to the way Greig Fraser talks about images, as if every frame already exists somewhere, waiting to be…
Eric Kripke has never chased shock for shock’s sake. With The Boys, he has built a ruthless reflection of power, celebrity, politics, and human insecurity.
For Cailyn Rice, everything starts with feeling—long before the dialogue, the character already lives within her body.
“I’ve gotten used to being different my entire life,” says Nourine Abouseada. “It doesn’t mean it doesn’t hurt, but I do it anyway.”
In Undertone, Nina Kiri delivers an intimate, unflinching performance in a tightly contained, fast-tracked shoot that distilled filmmaking to its essentials.
I first discovered the music of Palestinian American artist Lana Lubany only a few months ago. At the time, I was deep…
I had the chance to speak with one of my all-time favorite cinematographers, Danish cinematographer Dan Laustsen. A longtime collaborator of Guillermo…
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