Greig Fraser on Project Hail Mary, Making Space Feel Human and More
There’s a quiet precision to the way Greig Fraser talks about images, as if every frame already exists somewhere, waiting to be…
Author: Belal Abd Elaziz
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Inside The Boys: Eric Kripke on Violence, Satire, and a World Gone Too Far
Eric Kripke has never chased shock for shock’s sake. With The Boys, he has built a ruthless reflection of power, celebrity, politics, and human insecurity.
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Cailyn Rice Is Drawn to the Dark
For Cailyn Rice, everything starts with feeling—long before the dialogue, the character already lives within her body.
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Egyptian Artist Nourine Abouseada the Unconventional Voice of Egyptian Pop
“I’ve gotten used to being different my entire life,” says Nourine Abouseada. “It doesn’t mean it doesn’t hurt, but I do it anyway.”
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Nina Kiri Talks Fear, Vulnerability, and Her Intense Performance in Undertone
In Undertone, Nina Kiri delivers an intimate, unflinching performance in a tightly contained, fast-tracked shoot that distilled filmmaking to its essentials.
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BAD IDEA, Learning to Live with the Void: Inside Lana Lubany’s Self-Made Universe
I first discovered the music of Palestinian American artist Lana Lubany only a few months ago. At the time, I was deep…
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‘Frankenstein’ Cinematographer Dan Laustsen on Del Toro, Digital vs. Film, and the Evolution of Cinematography
I had the chance to speak with one of my all-time favorite cinematographers, Danish cinematographer Dan Laustsen. A longtime collaborator of Guillermo…
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