Amélie Hoeferle in the Present Tense
Amélie Hoeferle didn’t see Sterling Point coming, and she’s not particularly interested in overthinking why it did.
Author: Remi Alfallah
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Keen Ruffalo is Just Getting Started
Sitting down with Keen Ruffalo, you get the sense that he is still catching up to what is happening to him. He…
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Nicolas Winding Refn Thinks We are Living in Comfortable Pain
Nicolas Winding Refn Talks Hell, Building an Opera and Being Hideo Kojima’s Eye Candy.
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Jeremy Cox on Backrooms and Why Proximity Creates Fear
Jeremy Cox had an answer for almost everything, but rarely the one I expected. Ask him about horror, and he talks about geometry. Ask him about cameras, and he mentions distance. Ask him about landscapes, and he imagines Icelandic volcanoes and endless seas.
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Maya da Costa Shines (And We Can’t Look Away)
Girls Like Girls is da Costa’s feature debut, the center of Hayley Kiyoko’s most personal story, carried by a 20-year-old still assembling her toolbox in real time. One of the tools she landed on was disarmingly simple.
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