As Girls Like Girls Enters Its Next Chapter, So Does Myra Molloy
“Not every queer story needs to end in trauma or heartbreak.” Myra Molloy reflects on Girls Like Girls and the importance of expanding queer representation on screen.
“Not every queer story needs to end in trauma or heartbreak.” Myra Molloy reflects on Girls Like Girls and the importance of expanding queer representation on screen.
Nineteen, living in Los Angeles, and the messy art of growing up, through the eyes of Stephen Dawes.
Mattea Conforti dives into queer identity and teenage girlhood in The Testaments.
Discovered by Euphoria’s casting directors through 800 applicants and five rounds of callbacks, Enza Khoury’s rise might look like an overnight change. But for her, it felt inevitable — a life already in motion, now catching up to itself.
Sarah Yarkin is done waiting for the green light—she’s already floor-it in the getaway car.
Between borrowed lives and her own voice, actress and singer Ella Hunt is finally speaking in her own voice.
For Giorgia Whigham, likability is secondary—what matters most is building a character from the inside out.
Canadian actress Nadine Bhabha became the friend everyone needed.
Do you believe in soulmates? Camilla Monroe’s character only starts to—once things turn bloody.
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