The Stories Should Not Be Overlooked at the Oscars
Here is what international audiences risk missing if they see this film as just another national Oscar submission.
Author: Mai El Mokadem
-
-
After Years of Sexless Cinema, Kink Is Back
Everyone’s horny at the movies again.
-
Avantika Vandanapu Wants the Horror, the Romance and Everything In Between
Avantika Vandanapu wants it all: horror, Indian cinema, a return to Columbia, and a love story she’s writing herself. The only thing she’s stopped making room for? The internet’s opinion.
-
Why Can’t We Quit Beautiful Teenagers Making Terrible Decisions?
Why teen dramas feel more adult than ever—and why we’re addicted to them.
-
Lizzy Greene’s Winning Streak
Lizzy Greene talks football dreams, filming through injury, and taking ownership of the women she plays, from Ransom Canyon’s Lauren Brigman to US soccer icon Kristine Lilly.
-
As Girls Like Girls Enters Its Next Chapter, So Does Myra Molloy
“Not every queer story needs to end in trauma or heartbreak.” Myra Molloy reflects on Girls Like Girls and the importance of expanding queer representation on screen.
-
Stephen Dawes Is Creating a Musical Time Capsule
Nineteen, living in Los Angeles, and the messy art of growing up, through the eyes of Stephen Dawes.
-
Mattea Conforti Understands the Power of Being a Teenage Girl
Mattea Conforti dives into queer identity and teenage girlhood in The Testaments.
-
Enza Khoury Dreams in Solarpunk Levant Futures
Discovered by Euphoria’s casting directors through 800 applicants and five rounds of callbacks, Enza Khoury’s rise might look like an overnight change. But for her, it felt inevitable — a life already in motion, now catching up to itself.
End of content
End of content
