Alex Ullom, Please Do My Movie
Alex Ullom made It Ends for $80,000 with a cast he found on Instagram. Now he’s sitting in the NEON office with a second film in the can, wondering how long the road goes.
Author: A Shot Magazine
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Amr Salama Talks Dream Projects, His Paused Amazon Series, Paranormal 2 and More (EXCLUSIVE)
If there’s one Arab director who truly shaped me, aside from Daoud Abdel Sayed, it’s Amr Salama. Not only because of his…
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‘Yunan’ Review: Malick and Tarr Would Kill for a Main Actor like Georges Khabbaz
In a jaw dropping Canvas, Munir Noureddine stands alone in a yellow field, the golden sunbathes him and a flock of sheep….
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Sarah Goher: How Happy Birthday Became a Learning Model for Egypt’s Path to the Oscars
It always feels numb, almost hopeless, to care about which Egyptian film gets submitted for Oscar consideration. It’s the same cycle every…
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Die My Love Cinematographer Seamus McGarvey on Day-for-Night, Ektachrome, and Creating a Fever-Dream World
Seamus McGarvey, the acclaimed cinematographer behind Die My Love, takes us inside the making of the film, sharing insights into his creative…
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It Was Just an Accident: Half Absurd Comedy, Half Nightmare
“It was just an Accident” marks Panahi’s first film this 2011 that isn’t “starring” him as himself, his first “Normal” fictional feature…
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Why do Egyptians in Egyptian films feel European?
In Theory, one way that “Art/ Alternative and Festival Films” are different from “Mainstream/ Commercial Cinema”, is: Mainstream Cinema is meant to…
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