Nina Kiri Talks Fear, Vulnerability, and Her Intense Performance in Undertone
In Undertone, Nina Kiri delivers an intimate, unflinching performance in a tightly contained, fast-tracked shoot that distilled filmmaking to its essentials.
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Forbidden Fruits Director Meredith Alloway Thinks Belonging Might Be the Scariest Thing of All
Lili Reinhart, Lola Tung, Victoria Pedretti, and Alexandra Shipp make being a “girl’s girl” feel a little too close to a cult in Forbidden Fruits.
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‘Sound of Falling’ Review – A Ghost Story of Phantom Pains
The corridors of a large European house could feel vast and overwhelming on a young girl walking between its walls and taking…
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Kaouther Ben Hania on making ‘The Voice of Hind Rajab’: “I was scared to death”
The year 2025 has brought forth many profoundly moving films, yet few have matched the raw emotional power and urgent relevance of…
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Amr Salama Talks Dream Projects, His Paused Amazon Series, Paranormal 2 and More (EXCLUSIVE)
If there’s one Arab director who truly shaped me, aside from Daoud Abdel Sayed, it’s Amr Salama. Not only because of his…
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Tatiana Maslany Talks ‘Keeper’, ‘The Young People’ and Her Incredible Year of Work: “I can’t wait to lay down”
Renowned for her multiple roles in Orphan Black, Tatiana Maslany continues to work at a remarkable speed and versatility. In the same…
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Plestia Alaqad on her acting debut in ‘The Visitor’: “I had this on my vision board” (EXCLUSIVE)
At just 23, Plestia Alaqad turned her phone into one of the most vital lenses on the Gaza genocide, reaching tens of…
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Why do Egyptians in Egyptian films feel European?
In Theory, one way that “Art/ Alternative and Festival Films” are different from “Mainstream/ Commercial Cinema”, is: Mainstream Cinema is meant to…
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