BAD IDEA, Learning to Live with the Void: Inside Lana Lubany’s Self-Made Universe
I first discovered the music of Palestinian American artist Lana Lubany only a few months ago. At the time, I was deep…
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‘Frankenstein’ Cinematographer Dan Laustsen on Del Toro, Digital vs. Film, and the Evolution of Cinematography
I had the chance to speak with one of my all-time favorite cinematographers, Danish cinematographer Dan Laustsen. A longtime collaborator of Guillermo…
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Kaouther Ben Hania on making ‘The Voice of Hind Rajab’: “I was scared to death”
The year 2025 has brought forth many profoundly moving films, yet few have matched the raw emotional power and urgent relevance of…
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Tatiana Maslany Talks ‘Keeper’, ‘The Young People’ and Her Incredible Year of Work: “I can’t wait to lay down”
Renowned for her multiple roles in Orphan Black, Tatiana Maslany continues to work at a remarkable speed and versatility. In the same…
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Why do Egyptians in Egyptian films feel European?
In Theory, one way that “Art/ Alternative and Festival Films” are different from “Mainstream/ Commercial Cinema”, is: Mainstream Cinema is meant to…
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