‘Sound of Falling’ Review – A Ghost Story of Phantom Pains
The corridors of a large European house could feel vast and overwhelming on a young girl walking between its walls and taking…
Reviews
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‘Yunan’ Review: Malick and Tarr Would Kill for a Main Actor like Georges Khabbaz
In a jaw dropping Canvas, Munir Noureddine stands alone in a yellow field, the golden sunbathes him and a flock of sheep….
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‘The Copenhagen Test’ Review: Simu Liu and Melissa Barrera Are Charming Spies in This Tense Espionage Drama
In a world where we’re already questioning so much, from the news we see online to the everyday things we trust, Peacock’s…
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‘El Sett’ Review – A Cliff Notes Biography that is Actually an Autobiography
In 1967, Egypt (and other Arab nations) was defeated by Israel in “The Six-Day War”. All Arabs were broken and shocked by…
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Avatar: Fire and Ash: An Unsatisfying Return to Pandora
Avatar has always been divisive, loathed by some but loved by many. I’ve always championed these films for the same reasons that…
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Why do Egyptians in Egyptian films feel European?
In Theory, one way that “Art/ Alternative and Festival Films” are different from “Mainstream/ Commercial Cinema”, is: Mainstream Cinema is meant to…
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My Father’s Scent: Ahmed Malek Steals the Show in the Intimate, Dreamy Drama
‘My Father’s Scent’ starts with a death. An old man with terminal cancer has been in a coma for six months and…
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50 Meters: An Anxiously Brave Conversation with a Father
The following statement is a compliment, and a huge one: “50 Meters” is a very frustrating watch, to the point that it…
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Life After Siham: A Cinematic, Years Long, Therapy Session
Namir Abdelmaseeh, father of two, son of two people and two worlds, wishes life was like a movie. This is not because…
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